Books published by publisher The University of North Carolina Press

In 1928 New York native Muriel Earley Sheppard moved with her mining engineer husband to the Toe River Valley -- an isolated pocket in North Carolina between the Blue Ridge and Iron Mountains. Sheppard began visiting her neighbors and forming friendships in remote coves and rocky clearings, and in 1935 her account of life in the mountains -- Cabins in the Laurel -- was published. The book included 128 striking photographs by the well-known Chapel Hill photographer, Bayard Wootten, a frequent visitor to the area.The early reviews of Cabins in the Laurel were overwhelmingly positive, but the mountain people -- Sheppard's friends and subjects -- initially felt that she had portrayed them as too old-fashioned, even backward. As novelist John Ehle shows in his foreword, though, fifty years have made a huge difference, and the people of the Toe River Valley have been among its most affectionate readers.This new large-format edition, which makes use of many of Wootten's original negatives, will introduce Sheppard's words and Wootten's photography to a whole new generation of readers -- in the Valley and beyond.

At Cedar Mountain on August 9,1862, Stonewall Jackson exercised independent command of a campaign for the last time. Robert Krick untangles the myriad original accounts by participants on both sides of the battle to offer an illuminating portrait of the Confederate general commanding his troops under the extraordinary pressures of combat. From diaries, reminiscences, letters, and newspaper articles, Krick reconstructs a vivid and detailed account of the confrontation at Cedar Mountain and Jackson's victory there.

Between late 1863 and mid-1864, an armed band of Confederate deserters battled Confederate cavalry in the Piney Woods region of Jones County, Mississippi. Calling themselves the Knight Company after their captain, Newton Knight, they set up headquarters in the swamps of the Leaf River, where, legend has it, they declared the Free State of Jones. The story of the Jones County rebellion is well known among Mississippians, and debate over whether the county actually seceded from the state during the war has smoldered for more than a century. Adding further controversy to the legend is the story of Newt Knight's interracial romance with his wartime accomplice, Rachel, a slave. From their relationship there developed a mixed-race community that endured long after the Civil War had ended, and the ambiguous racial identity of their descendants confounded the rules of segregated Mississippi well into the twentieth century.Victoria Bynum traces the origins and legacy of the Jones County uprising from the American Revolution to the modern civil rights movement. In bridging the gap between the legendary and the real Free State of Jones, she shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.<!--Copy for pb reprint. Cut first sentence of H-Net review if space tight in catalog"An original and cogent piece of scholarship on a devilishly complicated and demanding subject."--Washington Times"Bynum deserves much praise for her ability to negotiate the minefield of myth and legend to produce a study that not only makes a tremendous contribution to scholarship but is a compelling read as well. Thoroughly researched, thoughtfully argued, well-written, and unfailingly interesting, Bynum's work further demonstrates the potential of local studies to shed light on broader forces that have shaped the American past."--H-Net"Bynum has fashioned frustratingly disparate material into an important book that may cause historians who are skeptical about putting too much stress on an 'inner' Civil War to rethink their position."--American Historical Review"Powerful, revisionist, and timely, Bynum's book combines superb history with poignant analysis of historical memory and southern racial mores."--ChoicePiercing through the myths that have shrouded the "Free State of Jones," Victoria Bynum uncovers the fascinating true history of this Mississippi Unionist stronghold, widely believed to have seceded from the Confederacy, and the mixed-race community that evolved there. She shows how the legend--what was told, what was embellished, and what was left out--reveals a great deal about the South's transition from slavery to segregation; the racial, gender, and class politics of the period; and the contingent nature of history and memory.-->

In this long-term community study of the freedom movement in rural, majority-black Claiborne County, Mississippi, Emilye Crosby explores the impact of the African American freedom struggle on small communities in general and questions common assumptions that are based on the national movement. The legal successes at the national level in the mid 1960s did not end the movement, Crosby contends, but rather emboldened people across the South to initiate waves of new actions around local issues. Escalating assertiveness and demands of African Americans--including the reality of armed self-defense--were critical to ensuring meaningful local change to a remarkably resilient system of white supremacy. In Claiborne County, a highly effective boycott eventually led the Supreme Court to affirm the legality of economic boycotts for political protest. NAACP leader Charles Evers (brother of Medgar) managed to earn seemingly contradictory support from the national NAACP, the segregationist Sovereignty Commission, and white liberals. Studying both black activists and the white opposition, Crosby employs traditional sources and more than 100 oral histories to analyze the political and economic issues in the postmovement period, the impact of the movement and the resilience of white supremacy, and the ways these issues are closely connected to competing histories of the community.

Exploring the charged topic of black health under slavery, Sharla Fett reveals how herbalism, conjuring, midwifery, and other African American healing practices became arts of resistance in the antebellum South. Fett shows how enslaved men and women drew on African precedents to develop a view of health and healing that was distinctly at odds with slaveholders' property concerns. While white slaveowners narrowly defined slave health in terms of "soundness" for labor, slaves embraced a relational view of health that was intimately tied to religion and community. African American healing practices thus not only restored the body but also provided a formidable weapon against white objectification of black health. Enslaved women played a particularly important role in plantation health culture: they made medicines, cared for the sick, and served as midwives in both black and white households. Their labor as health workers not only proved essential to plantation production but also gave them a basis of authority within enslaved communities. Not surprisingly, conflicts frequently arose between slave doctoring women and the whites who attempted to supervise their work, as did conflicts related to feigned illness, poisoning threats, and African-based religious practices. By examining the deeply contentious dynamics of plantation healing, Fett sheds new light on the broader power relations of antebellum American slavery.

On March 31, 1968, over 500 Black nationalists convened in Detroit to begin the process of securing independence from the United States. Many concluded that Black Americans' best remaining hope for liberation was the creation of a sovereign nation-state, the Republic of New Afrika (RNA). New Afrikan citizens traced boundaries that encompassed a large portion of the South--including South Carolina, Georgia, Alabama, Mississippi, and Louisiana--as part of their demand for reparation. As champions of these goals, they framed their struggle as one that would allow the descendants of enslaved people to choose freely whether they should be citizens of the United States. New Afrikans also argued for financial restitution for the enslavement and subsequent inhumane treatment of Black Americans. The struggle to "Free the Land" remains active to this day. This book is the first to tell the full history of the RNA and the New Afrikan Independence Movement. Edward Onaci shows how New Afrikans remade their lifestyles and daily activities to create a self-consciously revolutionary culture, and argues that the RNA's tactics and ideology were essential to the evolution of Black political struggles. Onaci expands the story of Black Power politics, shedding new light on the long-term legacies of mid-century Black Nationalism.

Born Eunice Waymon in Tryon, North Carolina, Nina Simone (1933-2003) began her musical life playing classical piano. A child prodigy, she wanted a career on the concert stage, but when the Curtis Institute of Music rejected her, the devastating disappointment compelled her to change direction. She turned to popular music and jazz but never abandoned her classical roots or her intense ambition. By the age of twenty six, Simone had sung at New York City's venerable Town Hall and was on her way. Tapping into newly unearthed material on Simone's family and career, Nadine Cohodas paints a luminous portrait of the singer, highlighting her tumultuous life, her innovative compositions, and the prodigious talent that matched her ambition. With precision and empathy, Cohodas weaves the story of Simone's contentious relationship with audiences and critics, her outspoken support for civil rights, her two marriages and her daughter, and, later, the sense of alienation that drove her to live abroad from 1993 until her death. Alongside these threads runs a more troubling one: Simone's increasing outbursts of rage and pain that signaled mental illness and a lifelong struggle to overcome a deep sense of personal injustice.

By the late 1810s, a global revolution in cotton had remade the U.S.-Mexico border, bringing wealth and waves of Americans to the Gulf Coast while also devastating the lives and villages of Mexicans in Texas. In response, Mexico threw open its northern territories to American farmers in hopes that cotton could bring prosperity to the region. Thousands of Anglo-Americans poured into Texas, but their insistence that slavery accompany them sparked pitched battles across Mexico. An extraordinary alliance of Anglos and Mexicans in Texas came together to defend slavery against abolitionists in the Mexican government, beginning a series of fights that culminated in the Texas Revolution. In the aftermath, Anglo-Americans rebuilt the Texas borderlands into the most unlikely creation: the first fully committed slaveholders' republic in North America. Seeds of Empire tells the remarkable story of how the cotton revolution of the early nineteenth century transformed northeastern Mexico into the western edge of the United States, and how the rise and spectacular collapse of the Republic of Texas as a nation built on cotton and slavery proved to be a blueprint for the Confederacy of the 1860s.

Dating back to the nineteenth-century transplantation of a latex-producing tree from the Amazon to Southeast Asia, rubber production has wrought monumental changes worldwide. During a turbulent Vietnamese past, rubber transcended capitalism and socialism, colonization and decolonization, becoming a key commodity around which life and history have revolved. In this pathbreaking study, Michitake Aso narrates how rubber plantations came to dominate the material and symbolic landscape of Vietnam and its neighbors, structuring the region's environment of conflict and violence. Tracing the stories of agronomists, medical doctors, laborers, and leaders of independence movements, Aso demonstrates how postcolonial socialist visions of agriculture and medicine were informed by their colonial and capitalist predecessors in important ways. As rubber cultivation funded infrastructural improvements and the creation of a skilled labor force, private and state-run plantations became landscapes of oppression, resistance, and modernity.Synthesizing archival material in English, French, and Vietnamese, Aso uses rubber plantations as a lens to examine the entanglements of nature, culture, and politics and demonstrates how the demand for rubber has impacted nearly a century of war and, at best, uneasy peace in Vietnam.

This is the story of a little black boy, told for children and illustrated with over fifty photographs showing Tobe and his brothers and sisters in all the varied activities of a small southern farm. Both vocabulary and sentence structure have been kept as simple as possible, and although not graded rigidly to any one level, it should be read easily by children in the earlier grades.Originally published in 1939.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

Roman Catholic sisters first traveled to the American West as providers of social services, education, and medical assistance. In Across God's Frontiers, Anne M. Butler traces the ways in which sisters challenged and reconfigured contemporary ideas about women, work, religion, and the West; moreover, she demonstrates how religious life became a vehicle for increasing women's agency and power. Moving to the West introduced significant changes for these women, including public employment and thoroughly unconventional monastic lives. As nuns and sisters adjusted to new circumstances and immersed themselves in rugged environments, Butler argues, the West shaped them; and through their labors and charities, the sisters in turn shaped the West. These female religious pioneers built institutions, brokered relationships between Indigenous peoples and encroaching settlers, and undertook varied occupations, often without organized funding or direct support from the church hierarchy. A comprehensive history of Roman Catholic nuns and sisters in the American West, Across God's Frontiers reveals Catholic sisters as dynamic and creative architects of civic and religious institutions in western communities.

We the people--these words embody the ethos of what it means to be an American citizen. As individuals we are a tapestry of colors and creeds; united we are a nation committed to preserving our hard-earned freedom. In this heart-stirring collection of watercolor portraits of military veterans--one from each of the fifty states--artist Mary Whyte captures this ethos as well as the dedication, responsibility, and courage it takes to fulfill that promise.Those who raise their hands to serve may join for different reasons, but all--along with their families--make the extraordinary commitment to place the needs of the country before their own. Whyte gives us the opportunity to meet and to see some of them--to really see them. Whyte's portrait of America includes individuals from many walks of life, some still active duty, and from every branch: women and men, old and young, and from a wide swath of ethnicities, befitting our glorious melting pot. From a mayor to an astronaut, from a teacher to a garbage collector, from a business entrepreneur to someone who is homeless, Whyte renders their unique and exceptional lives with great care and gentle brush strokes.We the People is not only a tour across and through these vast United States, it is a tour through the heart and soul, the duty and the commitment of the people who protect not only our Constitution and our country but our very lives. We can only be deeply grateful, inspired, and humbled by all of them.